Afterwards, the guests were led through the village, from sculpture to sculpture – and finally into the studio. There, Vincent Ineichen had first drawn the animals and their skeletons in life-size on the concrete walls, some almost three metres high. It was only from these drawings that the metal figures were created: animals from a time long before metalworking, brought back millennia later with a welding torch.
Since 2016, the art residency has been inviting young Swiss artists living abroad to Brunnen; in 2026, it will celebrate its tenth anniversary.
Some of the prehistoric animals are set to reappear in the village for the people of Brunnen. It’s well worth keeping your eyes peeled.